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This article is part of an ongoing series where we feature the skills and talents of our own KWA Members. Ann Fell’s work blends seamlessly her own experiences with her creative outpourings. In the following, she attempts to explain exactly how she does this so effortlessly. We hope you are as inspired as we were….
Last weekend, our monthly KWA meeting was all about Thinking Outside the Box, that pesky thing that tends to place boundaries on how we can be successful. The following brief synopsis was provided by our own H.B. Berlow, the facilitator for the day’s proceedings. Be sure to leave a comment below explaining how you’ve been…
The following information is provided by Samantha LaFantasie, Contest Chair 2012. You may email questions to contest@kwawriters.org. It’s August and that means it’s also contest time! For specific rules and submission information for the KWA Poetry and Prose Contest, click here. In the meantime, there are a few changes that have come this year—starting with…
Our July Program on The High Concept Pitch really educated members on the Dos & Don’ts of ‘pitching’ our work to readers, agents, and publishers. HB Berlow led the program. Then several participants whipped up their own “pitches” on the spot. The following excerpt is from HB’s article in the August KWA newsletter. For full text,…
Table. Check. Comfy chair. Check. Attractively arranged pile of your books. Check. Plenty of pens for autographs. Check. You are happily ensconced in a corner of the local book store or library, ready to host your first book signing. There’s only one thing missing…readers to buy your books. Perhaps the best venue for your…
Atticus Finch. Holden Caulfield. Hamlet. Jane Eyre. Anna Karenina. Madame Bovary. According to The Fictional 100, by Lucy Pollard-Gott, PhD, these characters live on in our imaginations. There are basic personality types that all players in a story should embody. These tips will help you construct a framework to design your memorable characters. People-watching…
Writers talk about inspiration and where story ideas come from; characters and their names and quirks and personalities; locations and locales, whether they are gritty or exotic; where the story is going and how to get there. Writers talk about agents and publishers and query letters and pitches; self-publishing versus traditional publishing; their blog or…
For about a year now, I’ve been trying to do this online program for critiquing unpublished work. It’s called Book Country under the label of Penguin. This is a program that promises that you’ll get honest and supportive feedback on your current WIPs and maybe even pick up an agent or publishing contract. If only…
It’s that time of year again! Our member news and biographies need updates. If you are new to our association, or if you would like to change your biographical information, then NOW is the time! You can do this several ways: 1. You can click on the link below and email a brief biographical statement…
A writer rarely has the opportunity to just wallow in the writing, to enjoy it like chocolate covered strawberries. Most of us feel obliged to our writing, serving the story or poem, and each effort requires a ‘product,’ an outcome that serves a purpose. Maybe it will be the next scene or chapter, maybe we’re…